absolutebadasses

A family of fur trappers who live in a remote wilderness find their tranquility threatened by what they think is a wolf, but something else has been stalking the woods and Joseph, Anne and Renee are about to find out what : WOW !! I wasn’t really prepared for this movie and I’m not just talking about it’s macabre, unforgettable finale but also the harshness of it’s story about a family that live off the grid in the Canadian wilderness, living off the land, killing animals for their fur whilst teaching their young daughter to set traps, to shoot a gun, skin animals and generally learning how to fend for herself without little knowledge of the outside world : during the opening twenty minutes of Hunter Hunter I realised that I didn’t care much for the parents, their treatment of Renee and the animals butchered for monetary gain didn’t particular sit well with me so I was rather hoping that the rogue wolf that had been terrorising the area for years would finally get even, it would have been a slice of karma but things don’t always go to plan and the course of the movie was about to shift and things were about to get real : without giving too much away my only criticism with the film is that I felt that the plot could have expanded to include more backstory to some of the more relevant aspects throughout, that being said filmmaker Shawn Linden captures the danger of inhabiting the wilderness with a provocative, tense driven ride that explodes during it’s final act which what can only be described as incredible : ONE TO WATCH ★★★½

Following the loss of their son in a freak accident, a retired sheriff and his wife leave their ranch in Montana to rescue their young grandson from the Weboys, a dangerous family living deep in the heart of the Dakotas : if it’s action or light hearted entertainment your after then Let Him Go is certainly not for you, the sombre tone throughout is backed up by it’s hard hitting narrative, you’d think you were watching something by Taylor Sheridan but instead it’s directed by Thomas Bezucha based on a novel written by Larry Watson and what an excellent job he does too : watching two old pros in Lane and Costner deliver screen magic by simply talking around a breakfast table, drinking a coffee whilst on a roadtrip or sleeping the night in an empty prison cell is what I call BLISS and luckily for me there’s plenty of character investment in Watson’s sombre driven story, a real hearty, honest picture that examines getting old, loosing loved ones, abuse and fighting for what you believe in no matter what the cost : one of my favorite moments in the movie is when George & Margaret arrive at the Weboy’s for dinner and sit around the table, it’s polite until it’s not and your just made to feel as uncomfortable as the characters in the scene watching it all play out : overall Let Him Go is a real belter of a movie, it’s a slow paced, character driven mystery western that delivers an intense final act with stunning photography and a powerhouse display by Lesley Manville as Blanche Weboy ★★★★½

Born on the 18th December 1946 : STEVEN SPIELBERG has crafted one of the finest, unparalled bodies of work of any movie director, his films have touched, entertained and astonished millions across the world : his work includes some of my personal favorites such as Raiders of the Lost Ark, Jaws, Close Encounters of the Third Kind, Jurassic Park and E.T. and so many more that I have grown up watching, loving and revisiting as often as I can : his latest movie to hopefully land on the big screen will be the remake of West Side Story and keeping busy Spielberg is in pre-production on The Kidnapping of Edgardo Mortara a film based on the book by David I. Kertzer and will reunite it’s director with Mark Rylance : to celebrate Steven Spielberg‘s 74th birthday I think it’s only right that I quote one of my favorite lines from his finest movie “It’s not the years, honey. It’s the milage” (Indiana Jones)

One of my favorite Steven Spielberg quotes : “When you listen, you learn, You absorb like a sponge : and your life becomes so much better than when you are just trying to be listened to all the time”

A kid who was once celebrated in his local town, given the key to the region and free Ice Cream for life for solving local crimes is now 31, he has low self-esteem, his popularity has decreased and has become the butt of most jokes, but then a chance arrises from a client who’s boyfriend was murdered and it’s upto The Kid Detective to solve his first real case : ORIGINALITY in film is rare these days so when a movie comes out that truly blows your socks off with it’s dark humor, wild and WTF scenario’s and a new take on the private detective in small town USA then you have to pay attention, you have to rewatch it as the film’s that bloody good and then you have to find some way of telling your family and friends… “listen, this may not conform with some of your believes, it may embarrass, it will make you laugh and it will certainly make you feel uncomfortable, but hell The Kid Detective is certainly worth the watch” : what struck me most about Evan Morgan’s movie is it’s serious story arc about murder, kidnapping and adults abusing their power, it’s told with humor that’s close to the bone as you follow young Abe Applebaum through his days of youth, happiness and town stardom to this washed out, guilt ridden 31yr old who’s self pity and attitude makes you question everything about him, as the story unfolds you find yourself not agreeing with alot of his choices but somehow your still rooting for him, cheering him on nevertheless : I felt Adam Brody is outstanding, for me it’s his best role yet and along with Morgan’s original and edgy script, enjoyably quick pace, perculiar town’s folk and the flashbacks of a young Abe solving petty crimes that’s cute as a button The Kid Detective is one of the brightest films to hit our screens this year : it’s BRILLIANT ★★★★½

After losing his wife in a car accident, a father relocates to a new home with his daughter, but things go horribly wrong when strange things start to happen and his daughter vanishes after being cared for by a local nanny : with shades of the Ring and James Wan’s Insideous Kim Kwang-bin’s THE CLOSET is a chilling ghost story that tells of personal grief and trauma of others : apart from a short back in 2011 this is Kim Kwang-bin’s directorial debut that he also wrote, and what a spooky way to start your career behind the camera, the film is dark, it deals with disturbing images and has a haunting message that you’ll discover deep inside the belly of Kwang-bin’s storytelling : there’s moments during every good horror movie when the penny drops and during The Closet the real pay off comes with a small flashback scene involving Myung-jin and what happened to her, it’s disturbing and is certainly a choke you up moment that I didn’t see coming, the combination of supernatural elements, creepy characters and eye peeling effects mixed with a bunch of relatable characters creates the perfect balance in the movie and one I found extremely fun to watch : I loved the father and daughter played by Ha Jung-woo and Heo Yool both are excellent in their respective roles, Heo Yool’s Yi-na especially is quite innocent to begin with and then changes when the evil gets hold, super scary and those rolling eyes GULP, I also found the local exorcist played by the superb Kim Nam-gil who involves himself with the father in helping him find his daughter was a brilliant touch adding that bit of Poltergeist/Insideous element to proceedings : overall The Closet is worth every minute of your time, it’s a thought provoking, gut twisting ghost tale that packs a punch ★★★★

An ex-private investigator is hired to look into a suspicious death in the town of Wander : First film I’ve seen by Canadian filmmaker April Mullen and hopefully not the last : WANDER is one of them small town, nothing is quite what it seems type of movie that I found engrossing from the start, those early scenes of conspiracy theorists Arthur played by Aaron Eckhart and his faithful sidekick Jimmy played by old timer Tommy Lee Jones sat in the desert recording their latest deep web podcast that goes out live under the stars had me hook, line and sinker : with his bushy beard, big wide eyes and a limp Aaron Eckhart gives Wander it’s beacon, a lighthouse of a performance that shines throughout, he shows us the pain and trauma of his character who was once a family man, had everything going for him until a car accident kills his young daughter and leaves his wife in a comatose state : Arthur now lives in a camper van in the desert, in the middle of nowhere and spends his days looking after his dog Charlie, pod-casting with Jimmy and visiting his wife in a nursing facility…. one day he receives a visit by a women who wants to aquire his services as a Private Investigator, hiring him to look into her daughter’s suspicious death and so starts the domino effect, paranoia blurred with reality…. Arthur is down the rabbitt hole and he’s scrambling to get out : Wander is one of the better movies to come out of this crazy year, a small time GEM that’s well directed by April Mullen, well acted by it’s superb cast and has some beautiful New Mexico photography, it’s 90mins of character driven intrigue that delves into mental illness, the feeling of loss whilst touching on government cover-up, conspiracy and murder : ENJOYED very much ★★★★

What can I say about the lovely DEE WALLACE who was born on the 14th December 1948 : what an actress, what a scream queen and what an impact this gal from Kansas City had on me, who lit up my favorite genre with superb turns in movies such as The Howling, Alligator II, The Hills Have Eyes, The Frighteners, Critters and the best of the bunch Cujo a Stephen King adaption that still scares me even now : the first time I remember watching Dee was back in 1982, when she played Drew Barrymore’s mum in Steven Spielberg’s E.T. and what a fabulous performance in such a great movie : luckily for us Dee Wallace is still knocking out the films and was seen recently in 2017’s Death House, 2019’s 3 from Hell and 2016’s Aussie Horror Red Christmas : me personally I hope Dee’s around making movies for another 30ys : such an ICONIC movie presence

One of my favorite Dee Wallace quotes : “Cujo was the hardest thing I’ve ever done, and it’s the film I’m proudest of. You know, how far can you break down? When do you break down? How do you break down? It was just relentless”

An historical film directed by Steve McQueen, about the Mangrove restaurant in west London and the 1970s trial of The Mangrove Nine : I recently watched MANGROVE which is the first part of Mcqueen’s ambitious Small Axe, a collection of five movies that tell individual stories about the lives of West Indian immigrants in London around the 60s & 70s : at the heart of Mangrove is it’s powerful and riveting storytelling that revolves around a restaurant in the Notting Hill area and as the movie touches upon became known as the place for the community to eat, drink and discuss local issues, the Mangrove was run by the main character in the movie Frank Crichlow played by the amazing Shaun Parkes : in all honesty I didn’t know a great deal about this particular story and was facinated from the get-go, the march scenes and clashes with the local police were harrowing, the constant police harassment was diabolical and in the second half of the movie which was mostly about the trial I found the emotion delivered by it’s cast phenomenal, those closing arguements were tough to watch and when the jury were delivering their verdict, through gritted teeth a smile lit my face : Mangrove also manages to capture the film’s time & place, it’s authenticity is top draw with the streets of Notting Hill, the surrounding area and the costume design utterly fantastic : all credit to the likes of Steve McQueen for bringing these important stories to our screen, giving them voice and reminding us all of the many atrocities that took place ★★★★½

The Mangrove Nine are Frank Crichlow, Darcus Howe, Altheia Jones-LeCointe, Barbara Beese, Rupert Boyce, Rhodan Gordon, Anthony Innis, Rothwell Kentish & Godfrey Millett

After falling in love, an infamous bank robber known as the In-and-Out Bandit agrees to return all the money he has stolen in exchange for a reduced sentence. But when two unsavoury FBI agents set him up for murder, he has no option but to go on the run and clear his name : although the film’s storyline is predictable, similar to those that have come before it’s Liam Neeson’s presence & acting chops that carries the movie forward, still looking convincing in a genre he’s owned for the last ten years or more and that saying something considering the veteran turned sixty eight in June, he’s also well supported by his knockout co-star Kate Walsh who’s not only a delight to watch but the chemistry between the two is extremely evident from the moment their characters first meet in the storage facility, the scenes between the two are superb : there’s also Jeffrey Donovan’s FBI Agent and his pet dog who make for a great double act, Jai Courtney’s turn as a dirty agent is fun if not a little samey and the fight in the hotel room and subsequent chase scenes with the rogue FBI agents trying to catch their man are pacey and well filmed : I would have liked to have seen more of Robert Patrick but overall Honest Thief is an entertaining, well oiled and effective action thriller that I had fun with and enjoyed ★★★½

A filmmaker seeks solace from her down spiraling career in a remote New York lake house, hoping to find some good old fashioned inspiration : It’s only fitting in the strangest of years that we should have one of the strangest of movies : BLACK BEAR is certainly that, mixed with it’s weird and mind bending plot Lawrence Michael Levine’s film is incredibly frustrating, thought provoking and full of the most unlikeable characters in a movie this year, but somehow Levine pulls it off Albeit with the help of it’s stunning location and engaging cast including Christopher Abbott’s Gabe, Sarah Gadon’s Blair both of whom are annoyingly bodacious in that first segment, to say their relationship is stormy is putting it mildly and last but not least Aubrey Plaza who plays the lead role of Allison, along with Ingrid Goes West and Safety Not Guaranteed this is Aubrey Plaza at her captivating, irresistible best, especially in the movies second half where she finds herself as the lead actress, a bit of a diva in a feature film being directed by Gabe : Black Bear is one of those rare movies that I don’t quite understand what went on, although I’m guessing it went something along the lines of a washed up artist who is struggling to find work decides to take a break in remote Long Lake New York to reinvent herself and hopefully find some inspiration so in the movie Levine shows us what’s actually manifesting in Allison’s mind and how certain things may have played out…. it’s only my interpretation of the goings on in Black Bear but nevertheless the movie certainly scores extra points for the performance level and it’s intriguing narrative, as days later I still find myself thinking of what went on in that lake house and what happened to Allison and that big Black Bear ★★★★

A New York City detective lands a new case that involves multiple murders and a woman who may or may not be the culprit : Filmed with a budget of $19 million and making $110 million at the box office SEA OF LOVE is one of my all time favorite cop thrillers, a character driven piece that’s nerve jangling, oozes suspense, sexy as hell and still remains my best loved picture by the terrific New Yorker Harold Becker : I love the way Pacino struts his stuff, controlling the screen with his uncanny ability to sink into a character and make it his own, with Frank Keller one of New York’s finest Pacino gives us a tour de force of acting, showing us the emotions of a broken marriage, the loss of a mum and the romance & possibly love of Helen played by the incredible actress Ellen Barkin, their scenes together are quite simply electrifying, it’s a remarkable performance by two fine actors who play off each others energy, with their chemistry the beating heart of Becker’s magnificent thriller : there’s also great support by John Goodman’s bubbly & wayward detective, Richard Jenkins is quietly effective as Gruber, Keller’s partner and now dates his ex-wife and Christine Estabrook gives a charming turn as Lonelyheart : check out the film’s photography by the acclaimed Ronnie Taylor, those dimly lit streets and darkened hallways are atmospheric which only add to the nail biting narrative of this terrific, tense thriller and the score by Excalibur’s Trevor Jones is brilliantly typical of it’s era : Harold Becker’s Sea of Love is an excellent thriller, with a unexpected twist and sees one of the screens greatest actors in full flow ★★★★★

Kirk Douglas was born on the 9th December 1916 in New York, he may no longer be with us but his work has brought so much joy to my screen over the years and will continue to do so : to name four of his best movies is near impossible as like most great actors he has numerous films to choose from dependent on the mood you find yourself in…. for example if your looking for a bit of fun the Douglas way then look no further than Tough Guys a 1986 gem that sees two gangsters released from prison into a world that has vastly changed since they were put away, Burt Lancaster and Eli Wallach share the screen in this sweet, emotional and hilarious turn by the maestro, or if your looking for something more sombre, a bit more dramatic then take a peek at the 1951 Billy Wilder movie Ace in the Hole, one of his very best and a good old fashioned nail biter, that sees Chuck Tatum a reporter who slows down a rescue attempt of a man trapped in a cave so his career can flourish, it’s one of my favorites and Kirk is dynamite but if you want a night in and your after excitement, gun fights and the old west then jump onboard The War Wagon that sees Kirk team up with John Wayne in one of my favorite guilty pleasure westerns directed by Burt Kennedy : so if over the next few weeks you find yourself looking for some movie inspiration, you fancy a revisit or maybe you’ve never seen the likes of Lust for Life, The Vikings or The Gunfight at the O.K. Corral well take it from me there’s a Kirk Douglas movie for each & every mood, let that chin dimple, enormous heart and big smile fill your screen, you’ll thank me later…..

One of my favorite Kirk Douglas quotes : I was not a tough guy. I just acted like one.

Freaky (2020) : Movie Thoughts

Posted by absolutebadasses on December 8, 2020

Posted in: Movie Reviews, Reviews. Tagged: Alan Ruck, blumhouse, body swap slasher, Celeste O'Connor, cinephile, film blog, freaky, freaky blumhouse, freaky movie, freaky review, gory horror, hollywood, horror, horror comedy, Kathryn Newton, Katie Finneran, movie, movie stills, movie website, photos, Vince Vaughn. Leave a comment

Fancy swapping bodies with an infamous serial killer? me neither… well that’s what happens to Millie and she now has 24 hours before that change becomes permanent : having really enjoyed both Happy Death Day movies and the superb Scouts Guide to the Zombie Apocalypse I was excited to see what director Christopher Landon had in store for us with his latest horror comedy FREAKY that stars Vince Vaughn & Kathryn Newton : the mixture of comedy, smartly written dialogue and GORY horror is a fine line which Landon tip toes outrageously along : watching terrified as Vince Vaughn’s Butcher slices and dices his way through those opening ten minutes with the brutality of a Wes Craven movie whilst mouthing HOLY SHIT and then turning the terror into a smile and full on belly laugh as the Butcher is transformed into a teenage girl’s body thanks to the ancient mystical dagger is GENIUS : I can’t honestly decide which one I prefered more, Vince Vaughan’s Butcher running around the town of Blissfield screaming & acting like a girl or Kathryn Newton’s Millie transformed into the Butcher and taking out some sweet vengeance on the bully’s at her school, those scenes involving the smarmy teacher and the table saw and Ryler’s cryo-tank moment is utterly brilliant : Freaky is close to Landon’s best work, yes it’s full of your typical cliches, but overall the film’s inventive, outrageous and devilishly good FUN : a body swap slasher for the ages, a cult classic that I can’t wait to rewatch and recommend to friends ★★★★

The story of social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane in 1930’s Hollywood : Fincher’s Old Hollywood treatment about the man who wrote Citizen Kane is sublime, it feels like it was shot in the 30s, the photography & detail is astounding, it’s black & white canvas beguiling & over time with multiple watches MANK will be regarded as one of his finest works : Gary Oldman throws everything into his portrayal of Herman J. Mankiewicz, the energy and passion he excudes is phenomenal, Lily Collins gives a scintillating display as Rita, Herman’s straight shooting secretary and Amanda Seyfried illuminates the screen with the beauty and wonder of the 30s with a humdinger of a turn as actress Marion Davies : the score by Reznor & Ross fits the picture’s showstopping era and Erik Messerschmidt photography gives authenticity to Fincher’s work that’s so believable that you feel you’ve been transported back in time : Mank has many wonderous scenes and not many better than Herman’s party crashing scene at Hearst Castle…. “hello everyone” he proclaims as he staggers around the long table drunk, slurring his words with an unamused Louis B. Mayer and William Randolph Hearst looking on, it’s one of those great movie scenes and Oldman nails it : I’ve been a long admirer of David Fincher, from his pop videos in the mid 80s to his varied film career, I just love the way as a filmmaker he can suck you into the time & place of one of his movies, with Zodiac it was the late 60s San Francisco, The Social Network was New York early 2000’s, the prison planet Fury 161 in Alien3 and with his latest Mank your thrust head first into the mid 30s Hollywood with it’s politics, studios, screen stars and egos filling your screen in wonderful monochrome, each scene more compelling and more facinating than the last, a truly wonderful picture by a filmmaker at the peak of his greatness ★★★★★

The Call 콜 (2020) : Movie Thoughts

Posted by absolutebadasses on December 5, 2020

Posted in: Movie Reviews, Reviews. Tagged: cinema, death, film fan, film geek, films, friends, horror movies, horror night, 콜, Jeon Jong-seo, Jo Young-jik, Kim Sung-ryung, Lee Dong-hwi, Lee El, like, love, movie blog, movie website, movies, murder, netflix, Next Entertainment World, Park Shin-hye, photography, south korea, south korean cinema, south korean films, time loop, time travel, Yong Film. Leave a comment

Two women in South Korea who are from different times connect through a phone call which interchange their fates in an unexpected & devistating way : the horror genre in South Korea is insanely exciting, beautiful and shocking at times and THE CALL from director Lee Chung-hyun continues that trend with it’s blistering violence, originality and crazy twists that leave you breathless when the film ends and your pondering what on earth just happened? : I love the way Chung-hyun slowly builds the tension making you belive one thing and then quickly turning the screw with flashes of diabolical cruelty that has an effect on both main characters in the movie, Kim Seo-yeon played by the wonderful Park Shin-hye recently seen in #Alive and Oh Young-sook played by the tremendous Burning actress Jeon Jong-seo, both actresses are top notch with Jong-seo delivering a searing display that’s quite unforgettable in the film’s final third : the camera work around the house by Jo Young-jik is tremendous giving each & every scene a darkness, a sense of foreboding and combine this with the film’s lightening and sound The Call really is a tense, agonising watch : there are loads of haunting moments in the movie but the highlights for me are Young-sook and the strawberry guy when he discovers the bags in the freezer is utterly bone chilling, those scenes with Young-sook being whipped by her adpotive shaman mother is terrifying, Kim’s dad disintegrating whilst sat in the passenger seat of a car she’s driving is mouth wide shocking and those final ten insane minutes will blow your mind : so if you love your South Korean horror or you’ve not seen any and want a superb introduction then check out Lee Chung-hyun The Call it’s SUPERB ★★★★