I know I know I know… another bloody remake…. well that was my initial reaction to the news that our friendly neighborhood Spider-Man was getting another outing with yet another cast and so soon after the Marc Webb movies landed…. but as always first reactions are not always the right ones, having now seen John Watts superhero movie I must say “what a ridiculously fun, coming of age thrill ride that blends the humor, action & darkness perfectly to create one helluva cinematic event” – Tom Holland (who I loved in Pigrimage and The Impossible) was so the right choice & delivers a magical turn as our webslinger, capturing the innocence and arrogance of a teenager that’s required for this movie, Holland is surrounded by quality at every turn, Aunt May is played by the delightful Marisa Tomei giving a new & younger slant on Peter’s guardian, Michael Keaton hits it out of the ball park playing the villain Adrian Toomes aka: Vulture and Robert Downey Jr who’s actually a good mentor to Peter and is fun to watch, some of his screen time in Homecoming I found better than his Avengers stuff – I have to be honest and say when I first heard of this latest remake I wanted it all to be a complete disaster, crash and burn and be complete garbage but Spider-man Homecoming is far from it, its an exceptionally well written comicbook adaption that took me back to my teens, reading the comics, watching the animated series & avoiding spiders at all costs – Overall this is one of the best Marvel Superhero Movies in recent times, it’s an action packed, John Hughes homage laiden big screen summer movie that I found totally engrossing and deliciously fun to watch…. ★★★★½
it comes at night is a devilishly unerving, pychological horror movie that grips, rattles and plays with your mind – along with the movie’s interesting concept it’s the camera work in the movie that allows this slow burning horror to come alive, capturing the house’s shadowy interior and the forest with haunting precision, with this style of movie the work of the camera was paramount and they nailed it – along with being a tense ride it comes at night is also very thought provoking and will have you talking about it for many days after, personally I may have acted the same as Joel Edgerton’s character Paul but let’s hope I never find out – oh yeah the genre of the movie is not “post-horror” it’s quite simply HORROR and a blooming good one at that ★★★★
“Before he became the infamous Captain Jack Sparrow, a young cocky sailor with the help of his crew defeats an evil pirate slayer Captain Salazar, leaving him and his sailors marooned as ghosts trapped in the Devil’s Triangle. But as the triangle crumbles and Salazar escapes Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, but to do so he must form an alliance with Carina Smyth a beautiful, fiesty astronomer and Henry Turner a young fugitive who in turn have their own reasons to obtain the Trident….”
Pirates of the Caribbean: Dead Men Tell No Tales is totally and utterley outrageous – from it’s incredbile mind boogling visuals, wonderous & colourful costumes to it’s impecable casting Pirates 5 is everything and more a film fan could want from a modern day blockbuster – I watched the movie on IMAX in 3D and had an absolute blast from start to finish, the robbing of the safe where Sparrow’s crew drag the building through the village was insanely bonkers, so much fun and very much a Pirates moment, there’s a delightful cameo from Paul McCartney as a prisoned pirate, the return of old friends (good & bad), an evil turn by the delightfully creepy Javier Bardem (how did they do that makeup?) and a top notch performance from Johnny Depp as Jack Sparrow, who once again delivers a mesmerising, funny performance of our much loved Pirate, his movement & manerism’s on screen are majestic, watching Depp in this form is why I class him as not only a very good actor but also one of the greatest showman’s of our time – Pirates 5 does what all good blockbusters should do – it whisks you away from everyday life to a fantasy world that’s truly magical – a huge thank you should go to the Norwegian filmmakers Rønning and Sandberg for re-igniting this franchise and delivering an exciting, hugely fun trip to the big screen – I had a ball…. ★★★★½
For those of you who follow me on social media or read this movie blog you will know by now that I adore Ridley Scott, his movies and all things Alien but in recent years I have been quite vocal on this legendary directors fall from the dizzy heights of yesteryear to churning out such ordinary movies, average affairs such as Robin Hood, The Counselor, Exodus: Gods and Kings and the pretty dismal Prometheus – I am so conflicted, the one side of me is so grateful to this legendary filmmaker for giving us so many iconic movies but the other side keeps asking the question “why does Ridley Scott continue to direct such sub par movies? take a leaf out of Tarantino and Cameron’s book, maybe direct a film every few years instead of every year?” it’s my opinion that these films will only tarnish his brilliant reputation – I really had hoped that Ridley had turned the corner back in 2015, I absolutley loved The Martian with Matt Damon this was a real return to form from a director in need of some resurection so when it was announced that a new Alien movie was in production a sequel to the dreadful Prometheus nevertheless I was pumped, excited and looking forward to maybe a new chapter in this great series of scifi indulgence…..
Sadly for me though Alien Covenant was not what I hope it would be, yes it was better than Prometheus (well that wasn’t hard now was it) and yes maybe over the last 10yrs The Martian aside it’s one of his better efforts but overall it was a big screen blockbuster that left me feeling flat, it was way too predictable, contained some shitty CGI that made the overall production feel shoddy and unpolished and although Covenant had it’s moments it’s narrative tried to over complicate things so the reasons why we loved the original movies were lost in this world, a franchise that was slowly becoming more about the androids than anything else – Ridley also thought it was a good idea to go all mystical on our asses so inserted some really strange Obi Wan moments featuring David from Prometheus, living like an old wise hermit in a cave, listening to wind chimes and blowing his flute delivering lines such as “you blow and I will do the fingering” I just found all this mumble jumble embarrassing, out of place and lacking any sort of vision, suspense and was almost laughable at times….
I am not saying that Alien Covenant as a movie is a complete disaster, for me it’s not got that Ridley Scott stamp on it – McBride and Fassbender are both terrific in their respective roles and some of the nice homages to previous movies were great to see but overall Covenant felt like a bad dream a two a penny slasher that felt like a rehash of the original movie that is desperately trying to emulate all the things that worked such as (face huggers, chest bursters, acid for blood and so on) yet delivering it all with no panach and most importantly zero tension, yeah it’s a shit load more violent than it’s predecessors but that’s nothing to be proud about, what made 1979’s Alien so damn good was it’s slow burning tension that’s gnaws away at you but with Covenant you feel nothing – most of the films undoing in my opinion is it’s lack of humanity I felt so disconnected to the crew of the ship, the characters in the movie were not developed enough so when they slowly start getting picked off I actually felt very little for them, I was numb and that overall summed up my experience with this movie at it’s finale – I just hope Ridley doesn’t out stay his welcome and he lets go of the Alien reigns and allows a new filmmaker to bring some fresh ideas to this much loved franchise ……★★★½
Geoffrey Orthwein & Andrew Sullivan have crafted something quite majestic in BOKEH an end of the world movie that flows like an Icelandic waterfall and captures the backdrop of Reykjavik like a painting, subtle with mouthwatering color, mystery and full of energy all of which adds to their movies narrative and overall feel….
The film starts with a young couple Jenai (Maika Monroe) and Riley (Matt O’Leary) both enjoying their vaction, taking photos and making the most of their gorgeous surroundings – the early snippets of the movie is like an advert for the perfect Iceland vacation, clips of the pair visiting such sites as the famous Geysirs, the many Waterfalls, the Islands moon like landscape & the enchanting Blue Lagoon – the film then switches to a scene where Jenai is standing looking out through her hotel window, it’s the middle of the night and a northern light storm engulfs the dark skylinefill appearing to approach Jenai’s position before disappearing into the night – suddenly as if a dream its now morning and Riley is waking Jenai up, they then leave their room hunting for some breakfast when they start noticing that there is nobody in the hotel and once outside they discover to their disbelief that the population of the city has vanished leaving the two of them isolated together in a city that is now empty of its character, its many voices, its smells and vibrancy – and then it hits home, they’re alone and now what do they do?….
This film took me by surprise, I had seen Maika and O’Leary in other projects but this movie and it’s filmmakers were not on my radar and having recently visited Iceland this gave the movie a sense of realism that totally captivated me, the films gorgeous photography, it’s haunting storyline and how the film looks at the plight of Jenai and Riley and the strain it takes on their relationship gave me chills, so as I sat their enthralled by Bokeh I wondered to myself what would I do if ever faced with this scenario? Towards the end of the movie I was aching for more, I wanted to see how the characters handled the harsh winter, the snow covering their now forced upon city and watch them take in the magical northern lights dancing across the sky, but sadly I guess Orthwein & Sullivan had to finish the movie at some point and its finale is both beautiful, tragic yet so befitting….
The film’s title Bokeh means the out-of-focus parts of an image taken from a camera lens and somehow depending on which side of the fence you sit can also describle how both the characters in the movie view the circumstances they find themselves in, one of them is slightly more happy to go with the flow and accepts their lot, the other cannot and will not accept that this has happened – Bokeh is an absolute delight from start to finish and one that I just can’t stop thinking about – from its stunning Icelandic location, refreshing exciting yet tragic storyline and two engaging performances by Maika and O’Leary Bokeh gives a twist and turn to the normal zombie infested “end of the world” style movie – a true hidden GEM and one that will divide opinion…. ★★★★
A team of scientists led by John Goodman’s Bill Randa team up with a bunch of soldiers, a tracker and an anti-war photographer to explore an uncharted island in the Pacific. What starts off as a mission of discovery quickly becomes a mission of survival….
Kong: Skull Island is directed by Jordan Vogt-Roberts (The Kings of Summer) and stars Tom Hiddleston, Samuel L. Jackson, John Goodman, Brie Larson, Jing Tian, Toby Kebbell, Shea Whigham and John C. Reilly
Jordan Vogt-Roberts ballsy entry into the world of Kong is unlike any previous picture featuring our giant monster ape – for starters Skull Island is set back in the 70’s not modern day mostly taking place on the island, there’s no climbing the Empire State Building, no naval war planes to swat or be shot at and certainly no love story to be emotionally attached to, this is one gutsy move and one that works so well for the film giving Skull Island it’s own originality and place in the genre. Unlike Peter Jackson’s 2005 entry that was over long and dragged at times Kong: Skull Island runs at a much quicker pace getting straight into the nitty grittty within the films opening 20 minutes, in previous movies the big reveal of Kong was left until the film’s latter half but in this version we dive straight in getting introduced to this big, scary and downright impressive beast from the get go….
With obvious nods to movies such as Jurassic Park & Apocalypse Now and similarities to films such as Predator the latest in the so called MonsterVerse Kong: Skull Island was everything I hoped for and more – yeah of course like any film it will have it’s minor criticism and maybe more could have been done with it’s character development & back story but when all is said & done this is a movie that’s about monsters, big nasty rip your arms from your socket type of monsters and at this level Kong: Skull Island succeeds – along with the almighty Kong you get to witness some real nasty mother huggers that include Skull Crushers, Giant Spiders, Stick Insects and Buffalo style dinos all wildly entertaining, visually stunning & barrels of fun….
Overall: Kong: Skull Island ENTERTAINS – it’s jam packed full of thrills spills and lots of kills, dramatic & vibrant photography, thunderous soundtrack and a movie that dazzles with it’s beautiful backdrops and CGI (Jordan Vogt-Roberts & Larry Fong shot loads of this movie in Vietnam and WOW what incredible, beautiful scenery) – Skull Island is now my 2nd favorite King Kong movie behind the 1933 original and one that I can highly recommend & look forward to revisiting very soon ★★★★
Hugh Jackman reunites with The Wolverine’s James Mangold in the final chapter of LOGAN – the movie also sees Patrick Stewart reprising his X-Men role as Charles Xavier, Narco’s Boyd Holbrook cast as a villain of sorts and an unusual (but it works) piece of casting with Stephen Merchant playing mutant tracker Caliben….
In the near future 2029 to be precise a battle worn Logan is a Limo Driver, trying to save some money whilst caring for an ailing Professor X who’s he hid somewhere on the Mexican border….
The single most devastating thing about watching LOGAN was that I knew (everybody new) that this would be Hugh Jackman’s final outing as The Wolverine and this was in my opinion a game changer – James Mangold uses this knowledge as his filmmaking tool, his simple yet striking tone, deliberately slow pace and painful to watch narrative all builds to an agonising crecendo, it’s certainly not upbeat and unlike any other Marvel movie before it LOGAN is stripped bare of the usual comicbook humor, kaleidoscope of colour and deluded fantasy instead it’s a picture that’s dripping with a dark, gritty no-nonsense underbelly, utterly gut wrenching and humanized like no other movie of it’s ilk – even the performances in the picture seem better, Jackman captures the ageing tired Logan with a comfortable ease, his maturity as an actor gives him the tools to pull this off, you can see the pain he’s going through as he limps and claws his way through the storyline and Stewart is equally as impressive as Charles Xavier who requires medical assistance to not only help with an illness but to keep his powers at bay, there’s also an impressive film debut by Dafne Keen who kills it (literally) playing Laura, her fight scene’s, mannerism’s and interaction with Charles and Logan are a joy to watch….
One of my favourite moments in the movie (and there are many) takes place at the Munson Home – Logan, Laura and Charles help the Munson’s with some runaway horses after which they get invited back to their home and enjoy a brief trip into yesteryear, spending time with a loving family over a hot meal with smiles, real laughter and a bed to sleep in (Eriq La Salle playing the father of the family is as good in these 20mins as he’s ever been) – sadly the groups happiness does not last long and their ugly, brutal past catches up with them….
James Mangold’s LOGAN is the perfect send off for one comics most iconic stars – the film’s raw and uncompromising style allows it to become a far superior comicbook adapation than what’s come before, it’s not only a thing of beauty to look at but it’s also one hell of an emotionally charged rollercoaster ride that doesn’t let up until the final credits rise & Johnny Cash’s vocals hit home…. ★★★★½