Since the great Ron Howard (Cocoon & Apollo 13) took over the reigns for SOLO: A Star Wars Story my excitement for the movie has been slowly building to a crescendo, and now having just watched the trailer 3 times on the spin I can honestly say has the makings of a great Star Wars movie and it could possibly challenge Rogue One and be the best of the new bunch of movies set around the Star Wars Universe – the film stars Alden Ehrenreich as a young Hans Solo and follows his early adventures with his Wookiee partner Chewbacca as they fight, fly and talk their way out of many a tight spot in the galaxy – the film also stars Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton and Paul Bettany and hits our screens at the end of May – take a peek at this trailer…. it looks a blast !!
the wait is now over !! After much anticipation I have now seen Steven Spielberg’s big screen adaption of Ernest Cline’s scifi novel Ready Player One at the cinema and as the end credits came up my very first thoughts were….
WOW as a movie experience I LOVED IT – it’s a classic Spielberg picture, totally immersive, ridiculously fun and jam packed full of endless movie references that will make your face beam like a kid at Christmas – the movies eye popping visuals, heart thumping audio and buckle your seat style of action is energising with a whole bunch of animation/real world cross over scenes that are utterly bonkers – along with the chest bursting scene that had me in tears and every bit of DeLorean screen time I have to say the best part of the movie is The Shining segment it’s quite something, the attention to detail is sublime and without giving too much away it’s so much fun….
The one thing that really does rankle me about the movie is WHY did Ernest Cline participate in changing so much of his beloved slice of escapism when adapting Ready Player One to film? For me it’s a crazy thing to do and I can totally understand die-hard fans of his novel being unhappy at the film’s outcome – the characters back story, how they all met, the quests in the Oasis are all played out differently, so there’s no easy way to say this except that Ernest Cline sold his soul to those in Hollywood when he should have stood firm at least with the core of his creation…. Nevertheless when all is said and done we all go the cinema to be entertained and Steven Spielberg has once again demonstrated his greatness in delivering a magical, enthralling movie going experience – Ready Player One requires urgent big screen attention…. put on your 3D goggles the Oasis awaits ★★★★
Sometimes you just need to stop dissecting a movie and have fun, let the action and mood of the picture take you on a ride into the impossible and the unimaginable and Roar Uthaug’s TOMB RAIDER is one of them such movies – I like many grew up playing the games and being slightly fixated on Lara Croft this sexy gun tooting computer icon who kicked ass and went on wild adventures solving puzzles on these epic treasure hunts, I even enjoyed the 2001 & 2003 movies that starred a young Angeline Jolie but this latest adaption an origin story starring Alicia Vikander in the title role surpassed my expectations I really did leave my critical side at the door and allowed myself to thoroughly enjoy the film – Vikander totally embodies the character from the games, she’s athletic, clever and she doesn’t give up easily – from the Hong Kong chase scene to the booby traps in the underground tomb, the foxy bike race to the Islands River Rapids Tomb Raider runs at a breakneck pace it really is electric and if you’ve played the games then you will smile and enjoy the scenarios that Lara finds herself in – other high five aspects of the movie include a terrific antagonist played by the fiery, downright cool Walton Goggins, Into the Badlands Daniel Wu who looks to be having fun playing a drunken sailor and kick ass side-kick to Lara and another well rounded performance from the underrated Dominic West who plays Lara’s dad Richard – Overall Tomb Raider is one wickid action movie, leave all your troubles at home and let Alicia’s Lara Croft take you an adventure of a lifetime – this is popcorn munching cinema at it’s finest ★★★★
“after a team of soldiers enter and don’t return five women scientists enter what is known as The Shimmer essentially a wall between our world and the infected area in hope of discovering what happened to those men and the truth behind this anomaly”
24hrs on and I can’t stop thinking of Alex Garland’s latest Annihilation – firstly it’s nowhere near as as complicated a story as people make out, yes it’s slow, brooding and set to a surreal back drop but when all is said and done it’s quite simply an alien invasion movie and a blooming good one too – music is used sparingly throughout the movie but when used it’s to eerie effect, the strumming of a guitar, a haunting melody really does up the tension and you just can’t help but think something bad is gona happen and soon – along with it’s exciting young cast there’s a certain likeness in Garland’s Annihilation to classic scifi of yesteryear such as The Thing and Alien, there is so much greatness and so many talking points throughout it’s rather short 115 min runtime, those scenes when Anya played by Gina Rodriguez decides to take matters into her own hands by tying the team to their chairs, attempts to interrogate and what happens next is edge of the seat brilliance and lets not forget the aligator attack, that bear like creature and Lena’s own discovery towards the pictures epic finale – if your over thinking about watching this movie then please stop what your doing take a breather and let your movie indulgence be enhanced by Garland’s Annihilation a modern scifi gem that will have you chomping at the bit for a rewatch seconds after it’s conclusion ★★★★½
I LOVED THE SHIT out of Duncan Jones latest MUTE – what a terrific story that’s totally immersive with some stunning visuals & a whole gaggle of TOP performances – from Paul Rudd playing looney tune Cactus with panache, Justin Theroux’s creepy as f@ck pervert surgeon, Robert Sheehan’s epic turn as Luba and what can I say about True Blood’s Alexander Skarsgård as the films lead apart from holy shit-balls – what I love most about the movie is how it’s story weaves a good old fashioned mystery in this case a girls disappearance to that of a futuristic setting, a striking visual feast of neon lit buildings and the darkness that inhabit them – this is the fourth movie for Duncan Jones behind the camera and I for one can’t wait for his next, he’s a writer/director that’s not afraid of taking a risk, creating something different and I like that – MUTE is an excellent way of spending 2 hours in front of the box allowing your imagination to run wild it’s a movie that takes you to some very dark places and is certainly not for the squeamish – I for one can’t wait for a rewatch !! ★★★★
Elizabeth Taylor – seen here in 1963’s epic CLEOPATRA
Phantom Thread is simply exquisite – its one of them movies that once over and the final credits begin to rise you wish dearly that you could rewind the whole thing and rewatch – as is always the case with a Paul Thomas Anderson picture it’s not just one thing about the movie that makes it a fantastic viewing experience there are plenty – from it’s seductive music that haunts every scene and almost sends you into this hypnotic state, the towering greatness of Daniel Day-Lewis his alluring stature and his chemistry with his co-stars Manville and Krieps sends shivers down your spine as you slowly delve deeper into his character, Lesley Manville’s scene stealing role as Reynolds sister Cyril, stone faced, hard as nails but strikingly loyal to those she loves, those epic camera shots particularly of the spiral stairway of the Woodcocks and the immense beauty of the English seaside, and of course last but not least the innocence, beauty and intelligence that Vicky Krieps gives to Alma in the film is an absolute delight her scenes with Day-Lewis especially that surprise dinner confrontation is perfect in so many ways – THIS is film-making of the highest order ★★★★½