In 1943 during World War II, a mysterious lady Maude Garrett climbs aboard a B-17 Bomber called The Fool’s Errand, during the flight the Errand is attacked by a Japanese War Plane and then suddenly Maude spots something lurking in the clouds…. as she’s travelling with with top-secret documents and a mostly male chauvinistic crew, Maude finds herself alone and it’s upto her to save the day : SHADOW IN THE CLOUD has a familiar tone reminding me a little of that episode of the Twilight Zone titled “Nightmare at 20,000 Feet” and “The Mission” episode in Amazing Stories, I never give too much away with my reviews but there’s no doubt that these episodes were an inspiration to Liang’s strangely bizzare, spooky and tension ridden picture : I loved it’s animated private snafu intro, it’s atmospheric synth score, the snappy runtime and even it’s bizzare plot that’s fractured, ridiculous and a tad crazy in a decent sort of way : maybe Roseanne Liang’s re-writes of Max Landis original script had a lot to do with the way the movie feels slightly disjointed, as the film ends up becoming this insanely cross-genre of World War II mystery and scifi creature flick that works on some level but also feels rather confusing if not wildly entertaining : is the movie worth watching? the answer is most certainly yes !! the early parts are gripping as we follow Maude and that mysterious box she carries onto the bomber (what’s in the box?), I love the locker posters at the beginning (keep your eyes peeled) and when the film switches tact and it’s direction goes one way and another it’s action is sublime and effects tremendous with Chloë Grace Moretz and a rather wildly out of place yet scintillating score giving Shadow in the Cloud this watchable vibe and allowing us to see the promise in Roseanne Liang as an action helmer for bigger and better things to come ★★★½
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