In 1943 during World War II, a mysterious lady Maude Garrett climbs aboard a B-17 Bomber called The Fool’s Errand, during the flight the Errand is attacked by a Japanese War Plane and then suddenly Maude spots something lurking in the clouds…. as she’s travelling with with top-secret documents and a mostly male chauvinistic crew, Maude finds herself alone and it’s upto her to save the day : SHADOW IN THE CLOUD has a familiar tone reminding me a little of that episode of the Twilight Zone titled “Nightmare at 20,000 Feet” and “The Mission” episode in Amazing Stories, I never give too much away with my reviews but there’s no doubt that these episodes were an inspiration to Liang’s strangely bizzare, spooky and tension ridden picture : I loved it’s animated private snafu intro, it’s atmospheric synth score, the snappy runtime and even it’s bizzare plot that’s fractured, ridiculous and a tad crazy in a decent sort of way : maybe Roseanne Liang’s re-writes of Max Landis original script had a lot to do with the way the movie feels slightly disjointed, as the film ends up becoming this insanely cross-genre of World War II mystery and scifi creature flick that works on some level but also feels rather confusing if not wildly entertaining : is the movie worth watching? the answer is most certainly yes !! the early parts are gripping as we follow Maude and that mysterious box she carries onto the bomber (what’s in the box?), I love the locker posters at the beginning (keep your eyes peeled) and when the film switches tact and it’s direction goes one way and another it’s action is sublime and effects tremendous with Chloë Grace Moretz and a rather wildly out of place yet scintillating score giving Shadow in the Cloud this watchable vibe and allowing us to see the promise in Roseanne Liang as an action helmer for bigger and better things to come ★★★½
After being thrilled by Jonathan Blakeson’s excellent “The Disappearance of Alice Creed” I was intrigued to see how he dealt with an alien invasion movie with a slightly bigger budget and a cast of young upcoming Hollywood – sadly The 5th Wave was not what I hoped for, it lacked the grittiness, the devil of similar movies in its genre, the movie lacked energy and I felt considering it’s storyline was nowhere near dark enough – at times it felt like I was watching a really tame TV movie – the undoubted talents of Chloë Grace Moretz and Maika Monroe were wasted, with the latter being very underused having little screen time of which is a real shame as she steals every scene she’s part of – Overall as movies go The 5th Wave is a pretty average affair, it’s predictable, add’s nothing new to the apocalyptic world style of movie and most of all the reveal of the actual threat to earth is such a big let down – the film is watchable but only just ★★★
CONGRATS to Kristen Stewart who has become the first US actress to win a Cesar award (the French equivalent of the Oscars) for her brilliant role in Clouds of Sils Maria – the film was directed by Olivier Assayas and also starred Juliette Binoche and Chloë Grace Moretz
Oliver Assayas is an incredible, visual and exciting filmmaker and since I first heard he was teaming up with the never aging French beauty Juliette Binoche and two of Hollywood’s finest young actresses in Kristen Stewart and Chloë Grace Moretz my eye’s and ears have been a buzz waiting with bated breath for the first glimpse of what I hope will be some more French Magic – the film is also written by Assayas and follows the complicated relationship between an aging actress (Binoche) and her loyal assistant (Stewart), it truly looks an intelligent, mesmerizing and down right fabulous drama – without further ado take a peek at the trailer for Clouds of Sils Maria…. Enjoy!
CARRIE – (2013) – Movie Review ★★★★
Cast – Chloë Grace Moretz, Julianne Moore, Gabriella Wilde, Judy Greer and Ansel Elgort – from the mind of Stephen King and a remake of De Palma’s 1976 horror comes a re-telling of CARRIE, a supernatural tale of a child born by her deeply religious mum who abuses her and shelters her from society, at times locking her in a “prayer closet” beneath the stairs punishing her for any wrong doings & telling her to to pray for forgiveness – as Carrie grows into her teenage years, she discovers she has telekinetic powers and starts to control them – but during an incident at her senior prom Carrie unleashes an almighty fury on her peers and the town that pushed her too far VERDICT having loved Stephen King’s novel and being a huge fan of Sissy Spacek’s Oscar Nominated deliverance of Carrie back in ’76 I was initially dead against yet another dumb Hollywood remake – but having just seen Kimberly Peirce’s horror movie on the big screen, I’m here writing whilst eating humble pie and reflecting on a 100mins of fabulous acting, great camera work and a film that comes awfully close to surpassing it’s original – Julianne Moore is pretty terrifying and gives an unforgettable performance as Carrie’s mum, a religious woman who takes to self harming to rid herself of her demons, she truly is creepy, sadistic and unbalanced and if the Academy Awards rewarded great performances from ALL movie genres and not consistently ignore that of the Horror Film then Ms Moore would certainly be in the running for a gold statue, her turn as Margaret White is in my opinion that good – Kick-Ass’s Chloë Grace Moretz filmed this movie aged 15 and once again displays a talent far beyond her years, stamping her own disturbing print on that of Carrie White – also I must comment on an impressive movie debut by Ansel Elgort he is certainly one for the future – overall Kimberly Peirce’s Carrie is one to savor, a remake that’s truly worth watching and after a five year absence the Boys Don’t Cry director returns to helm one of 2013’s Best Horror pictures that will not only scare the bejesus out of you but also delivers a message to what can happen if one is pushed too far by those evil bullies of society….