the gravelly voice, handsome looks and steely gut driven performances is what I think of when someone mentions SAM SHEPARD yet this guy had so much more in his locker, a talented playwright, a veteran of the stage and writing credits that include the sublime film Paris, Texas – in recent times we had the pleasure of Sam’s acting talent as papa Rayburn in the brilliant Bloodline and although his screen time was limited his quality in each scene shone through – for me my favourite Sam Shepard roles include Thunderheart, The Assassination of Jesse James and of course the brilliant The Right Stuff – he will be missed down here but I’m pretty darn sure that he’ entertaining the masses up there….
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I know I know I know… another bloody remake…. well that was my initial reaction to the news that our friendly neighborhood Spider-Man was getting another outing with yet another cast and so soon after the Marc Webb movies landed…. but as always first reactions are not always the right ones, having now seen John Watts superhero movie I must say “what a ridiculously fun, coming of age thrill ride that blends the humor, action & darkness perfectly to create one helluva cinematic event” – Tom Holland (who I loved in Pigrimage and The Impossible) was so the right choice & delivers a magical turn as our webslinger, capturing the innocence and arrogance of a teenager that’s required for this movie, Holland is surrounded by quality at every turn, Aunt May is played by the delightful Marisa Tomei giving a new & younger slant on Peter’s guardian, Michael Keaton hits it out of the ball park playing the villain Adrian Toomes aka: Vulture and Robert Downey Jr who’s actually a good mentor to Peter and is fun to watch, some of his screen time in Homecoming I found better than his Avengers stuff – I have to be honest and say when I first heard of this latest remake I wanted it all to be a complete disaster, crash and burn and be complete garbage but Spider-man Homecoming is far from it, its an exceptionally well written comicbook adaption that took me back to my teens, reading the comics, watching the animated series & avoiding spiders at all costs – Overall this is one of the best Marvel Superhero Movies in recent times, it’s an action packed, John Hughes homage laiden big screen summer movie that I found totally engrossing and deliciously fun to watch…. ★★★★½
“Before he became the infamous Captain Jack Sparrow, a young cocky sailor with the help of his crew defeats an evil pirate slayer Captain Salazar, leaving him and his sailors marooned as ghosts trapped in the Devil’s Triangle. But as the triangle crumbles and Salazar escapes Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, but to do so he must form an alliance with Carina Smyth a beautiful, fiesty astronomer and Henry Turner a young fugitive who in turn have their own reasons to obtain the Trident….”
Pirates of the Caribbean: Dead Men Tell No Tales is totally and utterley outrageous – from it’s incredbile mind boogling visuals, wonderous & colourful costumes to it’s impecable casting Pirates 5 is everything and more a film fan could want from a modern day blockbuster – I watched the movie on IMAX in 3D and had an absolute blast from start to finish, the robbing of the safe where Sparrow’s crew drag the building through the village was insanely bonkers, so much fun and very much a Pirates moment, there’s a delightful cameo from Paul McCartney as a prisoned pirate, the return of old friends (good & bad), an evil turn by the delightfully creepy Javier Bardem (how did they do that makeup?) and a top notch performance from Johnny Depp as Jack Sparrow, who once again delivers a mesmerising, funny performance of our much loved Pirate, his movement & manerism’s on screen are majestic, watching Depp in this form is why I class him as not only a very good actor but also one of the greatest showman’s of our time – Pirates 5 does what all good blockbusters should do – it whisks you away from everyday life to a fantasy world that’s truly magical – a huge thank you should go to the Norwegian filmmakers Rønning and Sandberg for re-igniting this franchise and delivering an exciting, hugely fun trip to the big screen – I had a ball…. ★★★★½
For those of you who follow me on social media or read this movie blog you will know by now that I adore Ridley Scott, his movies and all things Alien but in recent years I have been quite vocal on this legendary directors fall from the dizzy heights of yesteryear to churning out such ordinary movies, average affairs such as Robin Hood, The Counselor, Exodus: Gods and Kings and the pretty dismal Prometheus – I am so conflicted, the one side of me is so grateful to this legendary filmmaker for giving us so many iconic movies but the other side keeps asking the question “why does Ridley Scott continue to direct such sub par movies? take a leaf out of Tarantino and Cameron’s book, maybe direct a film every few years instead of every year?” it’s my opinion that these films will only tarnish his brilliant reputation – I really had hoped that Ridley had turned the corner back in 2015, I absolutley loved The Martian with Matt Damon this was a real return to form from a director in need of some resurection so when it was announced that a new Alien movie was in production a sequel to the dreadful Prometheus nevertheless I was pumped, excited and looking forward to maybe a new chapter in this great series of scifi indulgence…..
Sadly for me though Alien Covenant was not what I hope it would be, yes it was better than Prometheus (well that wasn’t hard now was it) and yes maybe over the last 10yrs The Martian aside it’s one of his better efforts but overall it was a big screen blockbuster that left me feeling flat, it was way too predictable, contained some shitty CGI that made the overall production feel shoddy and unpolished and although Covenant had it’s moments it’s narrative tried to over complicate things so the reasons why we loved the original movies were lost in this world, a franchise that was slowly becoming more about the androids than anything else – Ridley also thought it was a good idea to go all mystical on our asses so inserted some really strange Obi Wan moments featuring David from Prometheus, living like an old wise hermit in a cave, listening to wind chimes and blowing his flute delivering lines such as “you blow and I will do the fingering” I just found all this mumble jumble embarrassing, out of place and lacking any sort of vision, suspense and was almost laughable at times….
I am not saying that Alien Covenant as a movie is a complete disaster, for me it’s not got that Ridley Scott stamp on it – McBride and Fassbender are both terrific in their respective roles and some of the nice homages to previous movies were great to see but overall Covenant felt like a bad dream a two a penny slasher that felt like a rehash of the original movie that is desperately trying to emulate all the things that worked such as (face huggers, chest bursters, acid for blood and so on) yet delivering it all with no panach and most importantly zero tension, yeah it’s a shit load more violent than it’s predecessors but that’s nothing to be proud about, what made 1979’s Alien so damn good was it’s slow burning tension that’s gnaws away at you but with Covenant you feel nothing – most of the films undoing in my opinion is it’s lack of humanity I felt so disconnected to the crew of the ship, the characters in the movie were not developed enough so when they slowly start getting picked off I actually felt very little for them, I was numb and that overall summed up my experience with this movie at it’s finale – I just hope Ridley doesn’t out stay his welcome and he lets go of the Alien reigns and allows a new filmmaker to bring some fresh ideas to this much loved franchise ……★★★½
Sad news – the Oscar Winning director of one of my favorite movies The Silence of the Lambs Jonathan Demme has died aged 73 – Demme also directed several other superb movies including the epic Something Wild that stars Melanie Griffith & Ray Liotta, Rachel Getting Married, Married to the Mob and Philadelphia but it will always be the brilliant and chilling 1991 classic that the movie world will remember him for – those who worked with him called him one of the most enthusiastic and kind filmmakers in the business, he always had a story to tell and was devilishly smart in bringing that story to the screen, his films changed the course of an actors life, Anthony Hopkins, Jodie Foster, Tom Hanks and Mary Steenburgen all won Oscars and much acclaim for their roles in his movies and all became better actors because of it – through the medium of film Jonathan Demme has left behind a cinematic legacy, a treasure trove of funny, gripping, haunting movies that will continue to entertain and live on forever – he was a passionate filmmaker who loved his craft, so when your next watching one of his movies take a moment to smile and fondly remember this talented New Yorker and the joy he breathed into the cinematic world we all love so much…
“A census taker once tried to test me. I ate his liver with some fava beans and a nice Chianti”
The Silence of the Lambs (1991)
“I am honored and proud to be flying the flag for the 70th Festival de Cannes and delighted with this choice of photo. It’s the image I myself have of the festival, of an event that illuminates everything around. That dance on the rooftops of Rome was back in 1959. No one remembers the photographer’s name… I’ve also forgotten it. But this photo reminds me of my origins, and of a time when I never dreamed of climbing the steps of the world’s most famous cinema hall. Happy anniversary!” – Claudia Cardinale (2017)
Claudia Cardinale not only is a beautiful screen goddess but she is also one of the great actresses of our time and somewhat a Cannes veteran appearing at the festival with films such as Girl With A Suitcase, La Viaccia, The Leopard, 8 1/2, La Pelle, Fitzcarraldo, Henry IV, A Man In Love and Claude Lelouch’s And Now.… Ladies And Gentlemen – she also starred in two of my favourite all time movies The Professionals and Once Upon a Time in the West and I am so pleased she is fronting this years Cannes Festival
Cannes also wrote these word in response to this gorgeous poster for it’s 2017 Festival “She dances, she laughs, she lives! Who better to symbolize the next Festival than Claudia Cardinale, the image of an adventurous actress, independent woman and social activist?”
Geoffrey Orthwein & Andrew Sullivan have crafted something quite majestic in BOKEH an end of the world movie that flows like an Icelandic waterfall and captures the backdrop of Reykjavik like a painting, subtle with mouthwatering color, mystery and full of energy all of which adds to their movies narrative and overall feel….
The film starts with a young couple Jenai (Maika Monroe) and Riley (Matt O’Leary) both enjoying their vaction, taking photos and making the most of their gorgeous surroundings – the early snippets of the movie is like an advert for the perfect Iceland vacation, clips of the pair visiting such sites as the famous Geysirs, the many Waterfalls, the Islands moon like landscape & the enchanting Blue Lagoon – the film then switches to a scene where Jenai is standing looking out through her hotel window, it’s the middle of the night and a northern light storm engulfs the dark skylinefill appearing to approach Jenai’s position before disappearing into the night – suddenly as if a dream its now morning and Riley is waking Jenai up, they then leave their room hunting for some breakfast when they start noticing that there is nobody in the hotel and once outside they discover to their disbelief that the population of the city has vanished leaving the two of them isolated together in a city that is now empty of its character, its many voices, its smells and vibrancy – and then it hits home, they’re alone and now what do they do?….
This film took me by surprise, I had seen Maika and O’Leary in other projects but this movie and it’s filmmakers were not on my radar and having recently visited Iceland this gave the movie a sense of realism that totally captivated me, the films gorgeous photography, it’s haunting storyline and how the film looks at the plight of Jenai and Riley and the strain it takes on their relationship gave me chills, so as I sat their enthralled by Bokeh I wondered to myself what would I do if ever faced with this scenario? Towards the end of the movie I was aching for more, I wanted to see how the characters handled the harsh winter, the snow covering their now forced upon city and watch them take in the magical northern lights dancing across the sky, but sadly I guess Orthwein & Sullivan had to finish the movie at some point and its finale is both beautiful, tragic yet so befitting….
The film’s title Bokeh means the out-of-focus parts of an image taken from a camera lens and somehow depending on which side of the fence you sit can also describle how both the characters in the movie view the circumstances they find themselves in, one of them is slightly more happy to go with the flow and accepts their lot, the other cannot and will not accept that this has happened – Bokeh is an absolute delight from start to finish and one that I just can’t stop thinking about – from its stunning Icelandic location, refreshing exciting yet tragic storyline and two engaging performances by Maika and O’Leary Bokeh gives a twist and turn to the normal zombie infested “end of the world” style movie – a true hidden GEM and one that will divide opinion…. ★★★★
Hugh Jackman reunites with The Wolverine’s James Mangold in the final chapter of LOGAN – the movie also sees Patrick Stewart reprising his X-Men role as Charles Xavier, Narco’s Boyd Holbrook cast as a villain of sorts and an unusual (but it works) piece of casting with Stephen Merchant playing mutant tracker Caliben….
In the near future 2029 to be precise a battle worn Logan is a Limo Driver, trying to save some money whilst caring for an ailing Professor X who’s he hid somewhere on the Mexican border….
The single most devastating thing about watching LOGAN was that I knew (everybody new) that this would be Hugh Jackman’s final outing as The Wolverine and this was in my opinion a game changer – James Mangold uses this knowledge as his filmmaking tool, his simple yet striking tone, deliberately slow pace and painful to watch narrative all builds to an agonising crecendo, it’s certainly not upbeat and unlike any other Marvel movie before it LOGAN is stripped bare of the usual comicbook humor, kaleidoscope of colour and deluded fantasy instead it’s a picture that’s dripping with a dark, gritty no-nonsense underbelly, utterly gut wrenching and humanized like no other movie of it’s ilk – even the performances in the picture seem better, Jackman captures the ageing tired Logan with a comfortable ease, his maturity as an actor gives him the tools to pull this off, you can see the pain he’s going through as he limps and claws his way through the storyline and Stewart is equally as impressive as Charles Xavier who requires medical assistance to not only help with an illness but to keep his powers at bay, there’s also an impressive film debut by Dafne Keen who kills it (literally) playing Laura, her fight scene’s, mannerism’s and interaction with Charles and Logan are a joy to watch….
One of my favourite moments in the movie (and there are many) takes place at the Munson Home – Logan, Laura and Charles help the Munson’s with some runaway horses after which they get invited back to their home and enjoy a brief trip into yesteryear, spending time with a loving family over a hot meal with smiles, real laughter and a bed to sleep in (Eriq La Salle playing the father of the family is as good in these 20mins as he’s ever been) – sadly the groups happiness does not last long and their ugly, brutal past catches up with them….
James Mangold’s LOGAN is the perfect send off for one comics most iconic stars – the film’s raw and uncompromising style allows it to become a far superior comicbook adapation than what’s come before, it’s not only a thing of beauty to look at but it’s also one hell of an emotionally charged rollercoaster ride that doesn’t let up until the final credits rise & Johnny Cash’s vocals hit home…. ★★★★½
If you take D’J Caruso’s latest movie with a pinch of salt (remember when 80s action was cool?) then I guarantee two things you will have shit loads of fun & you will leave the cinema with a nice big smile…
This is the third movie in the spy franchise xXx: Return of Xander Cage “After returning from a self-imposed exile, Xander Cage (Vin Diesel) must recover an evil known only as Pandora’s Box before the bad guys uses this weapon for mass destruction “ – Alongside action star Vin Diesel the films mind blowingly awesome cast also includes Donnie Yen, Nina Dobrev, Toni Collette, Ruby Rose, Deppika Padukone and Samuel L Jackson….
You know what I really dug about this movie?…. the insane amount of action, high octane totally bonkers fight scenes and the films ability not to take itself too serious – it’s all about entertainment and from that stance it most certainly succeeds – I mean come on how on earth can you not enjoy watching Xander Cage ski down a hillside weaving through trees and shit followed by some incredible skate boarding whilst shooting bad guys? that incredible moment when Xander faces off against Donnie Yen’s Xiang in a “holy shit that just happened” wave tunnel? the many hand to hand combat scenes mostly too epic to discuss? the return of an old friend in a great warehouse shootout and so many more delicious, breathless, relentless moments that fulfill the movies ultimate quest in giving it’s audience such an unbelievable cinematic buzz….
OK so listen up – xXx: Return of Xander Cage is not going to sweep the Oscars anytime soon, it’s not even gonna reinvent the genre, and it’s script won’t be compared to Schindler’s List or the like so if that’s what your expecting when buying a ticket at the box office then please be warned this slice of action pie is not for you – going to see this movie is like attending a party you will be expected to have fun right, enjoy oneself and remember regardless of what Bond style shit goes down this is only a movie – along with it’s crazy action madness watching Vampire Diaries’s Nina Dobrev playing a ditzy “Q” type character with a sense of humor and that damn fine Aussie Ruby Rose hanging from a tree shooting bad guys didn’t half raise the pulse, two ladies having so much fun & both so bloody good in their respective roles….
xXx: Return of Xander Cage is movie escapism at it’s finest, a COOL as f@ck action movie that made me smile from the opening 5 minutes to it’s end credits – D’J Caruso should sign up for a fourth movie so let’s make it happen and the sooner the better…. ★★★★
I first came across the name Mario Van Peebles when he starred alongside Clint Eastwood in 1986’s Heartbreak Ridge and then watched his rather enjoyable directorial debut New Jack City about Drugs and Crime Lords in Harlem at the end of the 80’s that starred Wesley Snipes – since 1991 Van Peebles has built up an impressive CV behind the camera, directing many episodes of popular TV shows including 21 Jump Street, Damages & Lost, he has also directed numerous films and starred in many too – his latest film behind the camera is USS Indianapolis that stars Nicolas Cage and is the true, heartbreaking story about the US battle ship that was on a secret mission when sunk by the Japanese in World War II, the sinking of the ship was the least of the crews worries as they tried to overcome the cold, shark infested waters in an attempt to survive….
I’m no historian, I just enjoy movies and Mario Van Peebles latest about the USS Indianapolis hooked me from it’s onset – with cinematography by Pulp Fiction’s Andrzej Sekuła who does a grand job keeping things real especially those interior shots on-board the ship as it’s sinking and the battle the crew encounter on the rafts in the Philippine Sea is dramatic and well shot – the films cast including Cage, Sizemore, Tate and Lanter do a superb job, managing to capture those Men of Courage with their performances, Sizemore especially some small but terrific scenes in the movie
USS INDIANAPOLIS is not a polished Hollywood epic, it’s special effect could have been slightly better BUT overall it’s an excellent, heart driven picture that not only honors the memories of those fallen but makes you think about the perils of War and it’s consequences ★★★★
2016 was not only a year of great loss but it was a year to celebrate some incredible cinema – some damn fine Independent Pictures that made me cry, laugh and sit back in pure amazement at the storytelling and acting involved – it was a year of exceptional Horror, mostly low budget affairs that reminded me of the movies of yesteryear and 2016 was also a year of some lighthearted, enormously fun blockbusters that didn’t quite make this list but I enjoyed thoroughly nevertheless – there are still many movies from last year that I didn’t get to watch but as custom I have put together a list of My Top 15 Movies of 2016 in poster form below – Have a wonderful Movie Watching 2017 from all of us all here A Very Happy New Year!
Top Right: 1989’s Indiana Jones and the Last Crusade with Steven Spielberg, Harrison Ford and Sean Connery – Top Left: 1982’s E.T. the Extra-Terrestrial with Steven Spielberg & Henry Thomas – Bottom Right: 1976’s Taxi Driver with Martin Scorsese, Harvey Keitel and Robert De Niro – Bottom Left: filming 1939’s Gone with the Wind
Here’s the new trailer for monster movie KONG: SKULL ISLAND that’s directed by Jordan Vogt-Roberts and stars Brie Larson, Tom Hiddleston, Samuel L Jackson, John Goodman and John C Reilly – this new adaption is set in the 70s and if this new trailer’s anything to go by it looks all kinds of awesome – I mean how can you not get excited for this baby – first up we have a group of explorers, soldiers, island natives and King Kong himself who is BLOODY ENORMOUS by the way all locking horns on a remote island somewhere in the Pacific, secondly we have Captain Marvel herself Brie Larson getting in some action before the Marvel team take over her entire existence & finally Skull Island has a load more monster treats apart from that big infamous Gorilla for us to get totally worked up over – so take a peek at this trailer and enjoy….
“12 Mysterious ships take up positions across Earth leading the military to send in a top notch linguist (Amy Adams) and a scientist (Jeremy Renner) to assist in translating alien communications”
For me Denis Villeneuve has joined a select band of filmmakers that manage to excite me, make me giddy with film fever and have so far delivered with every movie I’ve watched – the likes of Cameron, Tarantino and Nichols are also in that group so as you can see I highly rate this talented Canadian who’s last 3 movies Enemy, Prisoners and Sicario have all left me speechless and for many different reason’s blew my movie loving mind – Arrival is not your typical first contact picture, it’s based on Ted Chiang’s short story titled “Story of your Life” and is somewhat a science fiction love story, that’s powerfully captivating and tugs at your heart strings on so many levels – some of Villeneuve’s strength’s as a filmmaker is how he deals with the characters within the films narrative, managing to humanize them and make you care for them but also building a tension that surrounds them, this is difficult to achieve so it’s no surprise if you look at who he brings on board and trusts to convey his vision – at the heart of Arrival is Amy Adams who delivers a vulnerable yet equally strong performance playing Linguistics professor Louise Banks a women who’s known huge loss in her life yet shows the fight to continue on – Arrival essentially deals with grief and how we handle it, and one of Amy’s strong points as an actress is her facial features she has that honest, natural look, her eye’s give so much away so that her character’s interaction with the aliens is not only a scary encounter but also a thing of beauty too – now if filmmaker Villeneuve and actress Amy Adams are not enough to tempt you to watch this fabulous slice of Science Fiction on the big screen then Bradford Young’s sumptuous, flawless cinematography must surely twist your arm, remember when you first watched Kubrick’s 2001 or Spielberg’s Close Encounters and felt delirious, allowing the vision of the movie to spin into cinematic greatness well Bradford Young’s work is in similar vein, his use of light inside the space ship is paramount to the films overall feel and it’s mastered beautifully so if you thought Bradford’s work on Ain’t them Bodies and A Most Violent Year were great then wait till you see Arrival – this is no Independence Day Arrival is a bold, compelling, original slice of science fiction that’s full of suspense and sentiment – in it’s genre it’s one of the most thought provoking, written pictures for many a year and yet another fabulous cinematic experience by Villeneuve – bring on that Blade Runner sequel this guy can’t wait….
























































































































































