For those of you who follow me on social media or read this movie blog you will know by now that I adore Ridley Scott, his movies and all things Alien but in recent years I have been quite vocal on this legendary directors fall from the dizzy heights of yesteryear to churning out such ordinary movies, average affairs such as Robin Hood, The Counselor, Exodus: Gods and Kings and the pretty dismal Prometheus – I am so conflicted, the one side of me is so grateful to this legendary filmmaker for giving us so many iconic movies but the other side keeps asking the question “why does Ridley Scott continue to direct such sub par movies? take a leaf out of Tarantino and Cameron’s book, maybe direct a film every few years instead of every year?” it’s my opinion that these films will only tarnish his brilliant reputation – I really had hoped that Ridley had turned the corner back in 2015, I absolutley loved The Martian with Matt Damon this was a real return to form from a director in need of some resurection so when it was announced that a new Alien movie was in production a sequel to the dreadful Prometheus nevertheless I was pumped, excited and looking forward to maybe a new chapter in this great series of scifi indulgence…..
Sadly for me though Alien Covenant was not what I hope it would be, yes it was better than Prometheus (well that wasn’t hard now was it) and yes maybe over the last 10yrs The Martian aside it’s one of his better efforts but overall it was a big screen blockbuster that left me feeling flat, it was way too predictable, contained some shitty CGI that made the overall production feel shoddy and unpolished and although Covenant had it’s moments it’s narrative tried to over complicate things so the reasons why we loved the original movies were lost in this world, a franchise that was slowly becoming more about the androids than anything else – Ridley also thought it was a good idea to go all mystical on our asses so inserted some really strange Obi Wan moments featuring David from Prometheus, living like an old wise hermit in a cave, listening to wind chimes and blowing his flute delivering lines such as “you blow and I will do the fingering” I just found all this mumble jumble embarrassing, out of place and lacking any sort of vision, suspense and was almost laughable at times….
I am not saying that Alien Covenant as a movie is a complete disaster, for me it’s not got that Ridley Scott stamp on it – McBride and Fassbender are both terrific in their respective roles and some of the nice homages to previous movies were great to see but overall Covenant felt like a bad dream a two a penny slasher that felt like a rehash of the original movie that is desperately trying to emulate all the things that worked such as (face huggers, chest bursters, acid for blood and so on) yet delivering it all with no panach and most importantly zero tension, yeah it’s a shit load more violent than it’s predecessors but that’s nothing to be proud about, what made 1979’s Alien so damn good was it’s slow burning tension that’s gnaws away at you but with Covenant you feel nothing – most of the films undoing in my opinion is it’s lack of humanity I felt so disconnected to the crew of the ship, the characters in the movie were not developed enough so when they slowly start getting picked off I actually felt very little for them, I was numb and that overall summed up my experience with this movie at it’s finale – I just hope Ridley doesn’t out stay his welcome and he lets go of the Alien reigns and allows a new filmmaker to bring some fresh ideas to this much loved franchise ……★★★½
Geoffrey Orthwein & Andrew Sullivan have crafted something quite majestic in BOKEH an end of the world movie that flows like an Icelandic waterfall and captures the backdrop of Reykjavik like a painting, subtle with mouthwatering color, mystery and full of energy all of which adds to their movies narrative and overall feel….
The film starts with a young couple Jenai (Maika Monroe) and Riley (Matt O’Leary) both enjoying their vaction, taking photos and making the most of their gorgeous surroundings – the early snippets of the movie is like an advert for the perfect Iceland vacation, clips of the pair visiting such sites as the famous Geysirs, the many Waterfalls, the Islands moon like landscape & the enchanting Blue Lagoon – the film then switches to a scene where Jenai is standing looking out through her hotel window, it’s the middle of the night and a northern light storm engulfs the dark skylinefill appearing to approach Jenai’s position before disappearing into the night – suddenly as if a dream its now morning and Riley is waking Jenai up, they then leave their room hunting for some breakfast when they start noticing that there is nobody in the hotel and once outside they discover to their disbelief that the population of the city has vanished leaving the two of them isolated together in a city that is now empty of its character, its many voices, its smells and vibrancy – and then it hits home, they’re alone and now what do they do?….
This film took me by surprise, I had seen Maika and O’Leary in other projects but this movie and it’s filmmakers were not on my radar and having recently visited Iceland this gave the movie a sense of realism that totally captivated me, the films gorgeous photography, it’s haunting storyline and how the film looks at the plight of Jenai and Riley and the strain it takes on their relationship gave me chills, so as I sat their enthralled by Bokeh I wondered to myself what would I do if ever faced with this scenario? Towards the end of the movie I was aching for more, I wanted to see how the characters handled the harsh winter, the snow covering their now forced upon city and watch them take in the magical northern lights dancing across the sky, but sadly I guess Orthwein & Sullivan had to finish the movie at some point and its finale is both beautiful, tragic yet so befitting….
The film’s title Bokeh means the out-of-focus parts of an image taken from a camera lens and somehow depending on which side of the fence you sit can also describle how both the characters in the movie view the circumstances they find themselves in, one of them is slightly more happy to go with the flow and accepts their lot, the other cannot and will not accept that this has happened – Bokeh is an absolute delight from start to finish and one that I just can’t stop thinking about – from its stunning Icelandic location, refreshing exciting yet tragic storyline and two engaging performances by Maika and O’Leary Bokeh gives a twist and turn to the normal zombie infested “end of the world” style movie – a true hidden GEM and one that will divide opinion…. ★★★★
Ridley Scott returns to the universe he created with Alien Covenant a new chapter in the Alien franchise. The crew of the colony ship Covenant sits down on what they think is an uncharted paradise, but slowly it becomes apparant that this world is actually a dangerous, unforgiving place of terror where it’s only inhabitant are creatures that bleed acid and want to tear you limb from limb….
The films impressive cast includes : Michael Fassbender, Katherine Waterston, Danny McBride, James Franco, Demián Bichir, Billy Crudup, Carmen Ejogo, Amy Seimetz, Jussie Smollett and Callie Hernandez – Alien Covenant opens on May 19th
here’s two new screen prints from Mike Mitchell’s Star Wars Series – I hope you agree “Princess Leia” and “Wicket” are simply stunning – both so damn beautiful….
“First there was an opportunity……then there was a betrayal – 20 Years later Mark Renton returns to Edinburgh to find a lot of change but also somethings that never change….”
From his gritty, raw beginnings with the uncompromising Shallow Grave to the exciting drug fueled Trainspotting, the quirky colorful A Life Less Ordinary, the post-apocalyptic horror 28 Days Later to his much acclaimed Slumdog Millionaire and Steve Jobs film maker Danny Boyle has been excelling & exciting movie goers for over 20yrs….
But for me, and some may disagree his early films are still his best work, small low budget, well acted, well written black humored slices of magic….
What an incredible, nostalgic, hilarious and momentous sequel TRAINSPOTTING 2 is – from it’s punchy soundtrack, quick snappy dialogue to the brilliance of Carlyle and it’s crack-a-jack visuals this is Danny Boyle direction at his best – yes it’s taken 20yrs to see this bunch of talent back on the big screen but can you just imagine just for one moment if this movie never happened? and the much publicized spat between McGregor & Boyle was never reconciled HOLY SHIT we would have missed out on so so much – like laughing in hysterics whilst watching Renton & Franco in the toilet cubical next to each other their faces a peach as the penny drops, or being stuffed up with emotion when Spud played by the amazing Ewan Bremner tried to kill himself and then being stunned with a mix of hilarity when he threw up in the bag that was suffocating him or watching once best friends Renton & Sickboy kick the crap out of each other in the pub and then you find yourself smiling like you were interacting with a puppy whilst watching them reconnect watching Georgie Best these moments make you feel alive as a film fan, pure cinematic indulgence….
TRAINSPOTTING 2 is everything I wished for and more, truly one helluva movie sequel that’s not only nostalgic but is equally as fun as it’s predecessor – from Danny Boyle’s vision, McGregor & Lee Miller’s chemistry to Ewen Bremner‘s sublimity and Carlyle‘s crazy this was a great night a the cinema and guys please don’t leave it another 20yrs to complete the trilogy ★★★★½
Having seen some great movies towards the end of 2016 and the early part of 2017 I was expecting something so much more from Barry Jenkins much acclaimed MOONLIGHT a film that spans the early life of Chiron an African American living and growing up in Miami….
I must first say I did actually enjoy MOONLIGHT some of the movies visuals and photography was a delight, especially the school fight scene, the beach and restaurant shots were impressive, I even thought some of the performances are worth a mention specifically the three actors who played the same character growing up through the years, Alex Hibbert, Ashton Sanders and Trevante Rhodes all three were top notch as was the delightful Janelle Monae and Naomi Harris but in fairness as a movie MOONLIGHT did nothing too excite, it’s certainly a good movie but not a great one is “it’s play it safe narrative” is nothing we haven’t seen before, the topic of sexuality was not conclusive, I felt here was a kid growing up damaged by his drug and drink addicted mum who just wanted to be loved by whom ever (whether that be Juan played by Mahershala Ali a local drug dealer or Kevin played by André Holland) so yes it was a little bit about self discovery, and maybe confusion but that was all I felt it was – I felt the way Jenkins handled the transition of Chiron growing up was not great, too many questions were left unanswered which was a shame – what did happen to Juan? and how did his mum suddenly appear in a drug treatment facility these were small things but big in the context of the story….
Sadly there is no sugar coating here, although I enjoyed MOONLIGHT the movie has been used by the Academy and others as a political tool for Award Season, the lack of black representation at last years OSCARS was highlighted so this year MOONLIGHT and other movies of similar ilk have been way OVER praised and given more credit than necessary – Barry Jenkins MOONLIGHT is a decent picture but nothing more…. ★★★½
I first came across the name Mario Van Peebles when he starred alongside Clint Eastwood in 1986’s Heartbreak Ridge and then watched his rather enjoyable directorial debut New Jack City about Drugs and Crime Lords in Harlem at the end of the 80’s that starred Wesley Snipes – since 1991 Van Peebles has built up an impressive CV behind the camera, directing many episodes of popular TV shows including 21 Jump Street, Damages & Lost, he has also directed numerous films and starred in many too – his latest film behind the camera is USS Indianapolis that stars Nicolas Cage and is the true, heartbreaking story about the US battle ship that was on a secret mission when sunk by the Japanese in World War II, the sinking of the ship was the least of the crews worries as they tried to overcome the cold, shark infested waters in an attempt to survive….
I’m no historian, I just enjoy movies and Mario Van Peebles latest about the USS Indianapolis hooked me from it’s onset – with cinematography by Pulp Fiction’s Andrzej Sekuła who does a grand job keeping things real especially those interior shots on-board the ship as it’s sinking and the battle the crew encounter on the rafts in the Philippine Sea is dramatic and well shot – the films cast including Cage, Sizemore, Tate and Lanter do a superb job, managing to capture those Men of Courage with their performances, Sizemore especially some small but terrific scenes in the movie
USS INDIANAPOLIS is not a polished Hollywood epic, it’s special effect could have been slightly better BUT overall it’s an excellent, heart driven picture that not only honors the memories of those fallen but makes you think about the perils of War and it’s consequences ★★★★